Folks the God Father of all things Bristol Post Punk ( aka The Pop Group, Mark Stewart and The Mafia) main man is back in his home town: Be There!

https://www.facebook.com/events/293987334074555/

Pic by Stephen Swan – (recognise the other iconic figure)

Mike Darby has been asked to speak at this upcoming event in Bristol

Subject matter:

This symposium will explore the histories and experiences of living in British cities to examine the relationship between the urban unrest of 1981 and 1986 and the more recent unrest of Summer 2011. Bristol, as the venue for this symposium, has a unique position in the history of British popular music and we seek to use that history to explore the relationship between the past and present and between Bristol and the wider national context. The Bristol music scene has a rich history that produced bands such as Black Roots, Massive Attack, Disorder, Roni Size, Portishead and the Pop Group. The multicultural nature of the scene often reflected the close proximity of communities where ethnicity, class and different heritages mingled and fed off each other. Many of these musicians created a narrative in lyrics, aesthetics, imagery and comment on the cultural and political scene within the city and nationally. Bristol’s example demonstrates not only the importance of the history of popular music, but also the role of musicians, audiences and music in making history happen. Other British cities have their own histories and peculiarities that are reflected in events such as these but also there are some similarities to the Bristol example and we hope that we can attempt to illustrate and reflect on those differences and links in this symposium.

We will bring together musicians, community participants and academics from a wide variety of disciplines to discuss a number of questions:
• To what extent can wider civil unrest be understood through the specific context of British cities?
• What is the role of popular music in making history and shaping historical memory?
• Do the riots in the 1980s and in 2011 fit together? How does the music and its narrative reflect upon, or inform how the 1980s is remembered, and how does that impact on how the 2011 riots where experienced?
• How does music help us understand the specific experiences of different communities?
• What is the relationship between riots, civic unrest and popular music?

Brilliant Vibes album review from a Dutch Reggae magazine:

http://www.reggae-vibes.com/rev_sin/vi-remin.htm

The Best of Electric Gutairs album review in the August edition of Record Collector

http://www.sugarshackrecords.co.uk/record-shop/
Talisman I-Surrection new album available to preorder now

Great feature on the label:

http://thewordmagazine.com/music/the-sound-of-bristol-vs-belgium/