Bristol Archive Records Blog

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The Cortinas Album Out Now!!!

Wednesday, June 23rd, 2010
The Cortinas ‘MK1′ ARC155V

Released on 28th June 2010
LIMITED EDITION 100 COPIES VINYL ALBUM

(With special pull out featuring stories/ a personal insight from Tim Williams, Steve Bush and Phil Harrison plus never before seen pics by Stephen Swan)

VISIT : http://www.bristolarchiverecords.com/vinyl.html TO BUY THE ALBUM NOW!!!!
THE COPIES HAVE JUST ARRIVED AND THEY SMELL FAB!!

14 STUNNING TRACKS 3 PREVIOUSLY UNRELEASED IN ANY FORMAT

This album contains all four tracks from those two great singles, plus ten rare early demo tracks, all newly remastered.

The other 400 copies will be sold via all normal retail distribution outlets, but the 100 copies here are UNIQUE, WE CURRENTLY HAVE JUST 30 COPIES LEFT
BUY NOW – Price £13.00

Bristol’s first punk band, The Cortinas, formed in March 1976 when Jeremy Valentine (vocals), Nick Sheppard (guitar), Mike Fewins (guitar), Dexter Dalwood (bass) and Daniel Swan were still at school. “Jer put the band together, he definitely had a vision of what he wanted; he was very hip – Dexter and Mike went to the same school as him” remembers Nick. “He found me via Mark Stewart, who I went to school with, and I brought Dan in; we had played in a band together before. We used to practise at the back of Jer’s Dad’s shop”.

The Cortinas soon built up a big local following, and a break came when the band supported The Stranglers at the fabled Roxy Club in Covent Garden on 22 January 1977. Nick recalls how it came to be: “Hugh Cornwell was staying at a friend of his’ flat near the university, on holiday, and me and my girlfriend met him in the street. This would have been in the summer of 76. We started talking to him because we recognized him from seeing The Stranglers and hung out for the afternoon. I told him about the band. Later on, in January 77, he sent us a postcard asking us to play at the Roxy, so we rang up and said yes! I remember my mum telling me not to be too disappointed if people didn’t like us…”. Things then moved quickly for the band. Miles Copeland and Mark Perry’s Step Forward label released the classic singles ‘Fascist Dictator’ in June and ‘Defiant Pose’ in December, the band recorded a fine Peel session, and they appeared on the front cover of the April/May issue of Sniffin’ Glue. Heady stuff, but sadly, it was over all too soon.

The following year, after a poorly received album, the band were no more, but in 1977 they were unstoppable – simply one of the best first wave punk bands around.

VISIT : http://www.bristolarchiverecords.com/vinyl.html TO BUY THE ALBUM NOW!!!!

Fishfood

Monday, June 14th, 2010

 

Fishfood – weird/strange/fun post-punk from across the pond

19 November

Posted by Eric

The Bristol RecorderI enjoy discovering good music that I’ve never heard before. Most modern music just bores me, so I usually dip into the late 70s/early 80s for this enjoyment.

A few months ago, I bought a compilation record/magazine called The Recorder. I found it for $2 at Jive Time in Fremont, noticed that there were three live Peter Gabriel songs on it (including a cover) and figured that those alone would be worth the two dollars.

I finally got around to listening to it an while the Peter Gabriel songs were quite fun, the real gem was the three opening songs by a band called Fish Food.

I’m not so good at reviewing music, so I’ll let the band introduce themselves to you…

Fish Food are a band are an aid, first to be the second coming round the mountain Diagram fingers spiced with many flavoured fingers from dressing gown chord sequences, aluminium crayfish savim, monkeys leap from limb to limb for five pence in the RSPCA jungle sale. Step lightly down the street, you don’t know who you’ll meet cleaving an enormous crevasse in a broken heart from which a flower grew, with metals soft as velvet and a colour so rich, deep and beautiful that the insects dared not land on it.

And honestly, that does sum them up rather well.

Fish Food (or Fishfood) was formed by four fellows from Bristol, England (about 100 miles west of London). It features Howard Purse on guitar, Doug White on Bass, Danny Duck on drums, and a local poet, here named only Andy (but it’s really Andy Fairley).

The three songs on this comp are all they ever wrote and recorded. They played a few times around Bristol, opening for the sort of legendary punk band The Slits.

“Dry Ice Hot” starts us off. It’s been described as “Talking Heads gone in a wonky post-punk direction” and I guess that’s sort of true. The thing that struck me with both are the vocals. Andy sounds nothing like David Byrne, of course, but he is … distinct. You can’t really hear all that’s going on vocally, I think my mind shut out a lot of it – only bits seeped in. “Kind of pinched or squeezed at the corners and edges” was repeated a lot at varying urgencies. I think somewhere in there I fell in love with it.

The second song “Seventeen Eels” is a short piece about seventeen eels in a red barrel. It describes the scene very accurately. There are seventeen eels in a red barrel. They squirm and bite, etc.

But the real genius hits during the sarcastic “Modern Dance Craze.” Where the music in the other two songs was chaotic and harsh, there’s a jangly guitar and soft drums over Andy’s urging for us to “do the modern dance craze.” His urging does grow more frequent and you really do get the feeling that he wants us to be “grooving and be-bopping, getting with it and staying sharp, being cool on the scene” while we do this modern dance craze. As we acquiesce and give into this modern dance craze, we are rewarded for our triumph: “Oh that’s lovely, you’re really grooving it and digging it and loving the music. And we’re really having a lot of fun here tonight because we’re doing the new modern dance craze.” Andy even gives suggestions, “Oh that’s lovely, the modern dance craze, shake your butts, yeah.”

AndyI don’t really have much to compare this to. Maybe TV Personalities if they weren’t so influenced by early Pink Floyd would have done something like this. And what’s more is I’m not sure who would like this. I do, of course, but this is something you either think is total crap or you love it to death and wish there was more.

The band broke up shortly after this recording and Howard Purse (who seemed to be the driving musical force in the group) put together a band called Animal Magic. After their demise, Purse got back together with Andy the poet/vocalist, forming the band Birth of Sharon.

I’ve not been able to find anything on them, though a reviewer says they sound like “Gang Of 4 trying to have fun.”1

ITunes seems to have both The Recorder and a split download compilation of Fishfood and Birth of Sharon. Being on Linux, I can’t really access the iTunes store and really wish people would either stop using it or provide an alternate, cross-platform and nonrestricted way to legally download songs.

These were put up by the (digital only?) label Bristol Archives Records, which plunders the vaults of the old Bristol scene, releasing the gems they find. It’s a great service, so thanks bunches, but what’s with the iTunes only thing?

Get Fishfood ripped by me right here.

Technical Information:
Media Used:
Vinyl LP from my personal collection.Hardware Used:
Turntable: Audio Technica PL-120A
Cartridge: ATP-2XN (Stock)
TCC TC-750LC Audiophile Phono Preamp
Soundcard: Roland Edirol UA-1EX USB external soundcard

Software Used:
Audacity 1.3.7 on Linux Mint 7
-Digital recording from soundcard
-Editing and splitting of tracks

Gnome Wave Cleaner 0.21-10
-Manual and automatic click/pop removal

SoundConverter 1.4.1
-Converted WAV to 320kbps MP3

Taken from : http://littleblackstar.com/vinyl/2009/11/19/fishfood-weirdstrangefun-post-punk-from-across-the-pond/

The Rimshots Release 2nd single in Japan

Saturday, June 12th, 2010

The Rimshots second single originally released in 1981 has just been rereleased via www.1977records.com in Japan.

If you wish two check it out and maybe buy a copy please use the link above

Rimshots Biography

Formed in 1979 in Bristol, England this Power Pop / Mod band started to appear on the British gig scene along side the likes of The Purple Hearts, The Chords, The Beat and Secret Affair. They unfortunately never achieved national recognition but did support The Beat, Hazel O’Connor, The Bellstars and The Bodysnatchers along with many others in their home city and the surrounding area.

This is their second single originally released on Spectro Records in 1981, their first a Ska offering ‘I Was Wrong’ was released on Shoc Wave Records in 1980.

The band were managed by Gene Walsh owner of Shoc Wave and were influenced in their early development by the thriving Reggae scene in Bristol and supported British heavyweight reggae kings Black Roots and Talisman who were leading the charge on the British public.

More information and a digital download Rimshots album can be found at www.bristolarchiverecords.com with a vinyl album release in the pipeline.

June News Flash

Wednesday, June 2nd, 2010
www.bristolarchiverecords.com

New Digital Download Releases:

Lunatic Fringe ‘How’s in Control EP’ with extensive notes from John Finch and great pics 1982
Valve ‘Pulling Legs Off Flies’ – The Claytown Troupe without Christian and Richard circa 1994
Sweet Energy Album – 1990
The Directors Album with notes from Dave Masters circa 1979- 1983

Vinyl and CD Releases:

The Cortinas ‘Mk 1’ – OUT JUNE 21ST
LIMITED EDITION 500 COPIES VINYL ALBUM
14 STUNNING TRACKS 3 PREVIOUSLY UNRELEASED IN ANY FORMAT

Bristol’s first punk band, The Cortinas, formed in March 1976 when Jeremy Valentine (vocals), Nick Sheppard (guitar), Mike Fewins (guitar), Dexter Dalwood (bass) and Daniel Swan were still at school.“Jer put the band together, he definitely had a vision of what he wanted; he was very hip – Dexter and Mike went to the same school as him” remembers Nick. “He found me via Mark Stewart, who I went to school with, and I brought Dan in; we had played in a band together before. We used to practise at the back of Jer’s Dad’s shop”.

Available to pre-order now from:
www.bristolarchiverecords.com
www.amazon.co.uk and all major distribution outlets and Record Shops

The Bristol Punk Explosion – Out June 14th

Various Artists Compilation CD with 20 page full colour booklet and 4000 word sleeve notes by Shane Baldwin
20 STUNNING TRACKS 7 PREVIOUSLY UNRELEASED

The Cortinas were the first. They played the Roxy Club, released two singles on Mark Perry and Miles Copeland’s Step Forward label, graced the front cover of Sniffin’ Glue and recorded a Peel Session. Guitarist Nick Sheppard remembers the night it all slotted into place: “I think a real turning point for us was seeing the Ramones at the Roundhouse on July 4 1976 – we definitely started to write our own songs after that gig. We had been playing and doing gigs for about a year by then – all covers apart from one song, Tokyo Joe as I remember. After that gig we started writing stuff like Television Families. I think we saw people like us in the audience at that gig, and it must have given us confidence.”

Taking their cue, bands like Social Security (the first band on Heartbeat Records), The Pigs (whose Youthanasia single was released by Miles Copeland’s New Bristol Records), The Primates, The Media, The Posers and The Verdict gave Bristol one of the strongest provincial early punk scenes, mainly centred around the Clifton area of Bristol and Barton Hill Youth Club.

Available to pre-order now from:
www.bristolarchiverecords.com
www.amazon.co.uk
www.play.com
www.hmv.co.uk and all major distribution outlets and Record Shops

Videos:
The Fans live at Red Cloth, Shinjuku, Tokyo, Japan 19 April 2010
Video added to the Fans section of the site – Wow!

NUBIAN RECORDS
The discography has been added to The Archive Records section as near to complete as we can get it plus stories on Bristol Reggae Kings Black Roots

Bands 1982 onwards:
NAKED EYES – THE STORY
PETE BYRNE INTERVIEWED BY JONAS WÅRSTAD
Fascinating interview with this massive Bath band who recorded all their demos before signing to EMI with Steve Street at SAM Studios

The Peoples section:
The Tony Dodd story has been added he of Tony’s Records fame but also the guy that started Revolver records on the Triangle in Clifton – LEGEND!

The Future:
Working on CD albums from:
The Bristol Reggae Explosion – Various Artists
The Best of Heartbeat Records – Various Artists
The Pigs – Vinyl release

‘AVON CALLING 2’
Released worldwide on 23rd August 2010
20 SUPERB TRACKS ALL PREVIOUSLY UNRELEASED ON CD

In 1979, Bristols’ music scene was riding the crest of the new wave, spawning numerous bands and performers whose influences and indeed physical beings have gone on to feature in some of todays’ big music makers.
During this period local musician Simon Edwards decided to form Bristols’ first independent label, Heartbeat Records, to capture all the excitement and get Bristols’ music out beyond the M32.
With so many bands to choose from the label set about releasing a series of 7” singles, and such was the demand realised by these that a compilation LP featuring fifteen of these bands was released. The album, topically titled AVON CALLING went on to achieve near legendary status – even hailed by John Peel as “truly superb, the compilation that all others should be judged by”.

Thanks for checking us out – support Bristol Music and look out for The Seers live in Europe and Live in Bristol out next month!!
www.bristolarchiverecords.com

The Pop Group Reform

Friday, May 28th, 2010

Artrockers…
I must admit to being a little over-excited by the prospect of a Pop Group reunification. Yes, it’s happening, and there will be gigs, a couple at The Garage in September just to kick things off. But where do The Pop Group sit in the pantheon of artrock? Well, pretty high I reckon. They were a funny bunch though weren’t they?
When I think back there were, it seemed to me, three main protagonists; Mark Stewart (vocals), Gareth Sager (guitar) and drummer Bruce Smith. Mark Stewart seemed to me to be the ‘political’ one, I remember stories of him bursting into tears whenever he thought of the woeful state of the world, carrying the cares of the globe on his back. He was never a singer of course, more of a ranter, and he was even more of a ranter than Mark E Smith. So Mark was the ‘serious’ one. Gareth was the performer. Seemingly oblivious to the ‘heavy’ subject matter, Gareth put on a show, fully realising his frontman potential when he swapped bass for sax with Rip Rig and Panic. And then there was drummer Bruce. What a drummer! Every so often a tub-thumper comes along and blows your mind. That’s exactly what Bruce did to me. One of my fondest memories is of Bruce playing stand-in drummer for The Slits at The Communist Party festie at the Ally Pally… 1980? He was incredible!
Do you have Pop Group memories? If so, please send them to me.
Having said all that I have to admit that The Pop Group only made an ‘honourable mention’ in our 100 Greatest Ever Artrock Tracks with ‘She’s Beyond Good and Evil’. I can only apologise, but at the same time, in our defence, at least we remembered them. Go look The Pop Group up on Google, there’s hardly anything there – even the Wiki entry is poor. However, The Pop Group do pop-up on our Spotify 100 playlist, it’s still one hell of a listen, blending the new with the classic – and it’s the number 1 playlist on
ListenSpotify, which is nice. So have a listen, have a look at the list on Artrocker.tv and, at the very least, settle your mind as to what actually constitutes Artrock..

Tom Artrocker
[email protected]

Funk To Punk

Tuesday, April 27th, 2010

The link in question:

http://www.bristolarchiverecords.com/people/people_Tim_Williams.html

I recently came across your site while surfing the net for 70s nostalgia,in doing so i read the article by Tim Williams on punk/funk people clothes  and places in Newport (Gwent)and Bristol.
Tim really got it nailed on the head,i remember the Bristol boy and girls coming to both Rudi’s,and the monday night Stowaway (Alan jones run,dave bumford and Brian Lewis dj-ing)this was the Paradise soul night with a reverential amount of jazz funk disco & reggae,normally with a band to follow,most of the UKs top reggae and jazz funk/funk outfits cut their teeth there,from Steel Pulse to Hi Tension,and the Pretenders if my memory serves me correctly.
What i have been meaning to get around to is, we ventured over to the Princes court in Park St (i believe),as we had it on good authority from a group of Bristol girls we had got close to in Newport, that we could expect to hear the same tuneage there as we were used to in Newport,and like Rudi’s it was upstairs. One of the girls vivian……? from St Paul’s ,who wore that night  a Johnson male shiny grey peg retro 50s suit complete with shirt and tie, (a bead of sweat or liquid was enough to leave a mark, i know because i had one) had the most amazing long cleopatra ish cut with her fringe down to just over her eye lids,so when she spoke she would always have to raise her head to see or when talking.(dead cool or at lest what passed for cool  in 78).
Her friend who i believe was an on off friend to Alan Jones,and did some local modeling  adorned the wall in a life size  black and white photo at the Princes Court.
If this rings a bell with anyone an update as to how they are doing now would be appreciated or if they have gone on to better things.
in closing iand when i have more time i will respond to Tims excellent piece,and give an update on how and what some of those names he mentioned are up to now, and some others he didn’t but should still know,together with some Bristol night out stories.
regards
ian.

AVON CALLING 2

Sunday, April 25th, 2010

VARIOUS ARTISTS

‘AVON CALLING 2’

Released worldwide on 23rd August 2010

20 SUPERB TRACKS ALL PREVIOUSLY UNRELEASED

In 1979, Bristols’ music scene was riding the crest of the new wave, spawning numerous bands and performers whose influences and indeed physical beings have gone on to feature in some of todays’ big music makers.

During this period local musician Simon Edwards decided to form Bristols’ first independent label, Heartbeat Records, to capture all the excitement and get Bristols’ music out beyond the M32.

With so many bands to choose from the label set about releasing a series of 7” singles, and such was the demand realised by these that a compilation LP featuring fifteen of these bands was released. The album, topically titled AVON CALLING went on to achieve near legendary status – even hailed by John Peel as “truly superb, the compilation that all others should be judged by”.

Such was the interest in the album that the bands involved continued to supply the label with demo tapes, and the lucky ones went on to release more singles, even 12” EP’s and ultimately LP’s. The sheer volume of demos and the eventual logistical constraints of “just how many records can one man put out in a year” meant that only a few would actually see further releases – though the content was in most cases nothing short of superb.

Label boss Edwards openly admits to continually returning to many of the songs purely
just to listen and enjoy some “bloody good music”. Long has it been his ambition to put together an album of these songs – for no other reason but to get them out there where they belong, so they can at last be heard by others and the bands once more be applauded for making such exciting and essential sounds.

Well, the dream has finally been realised and Bristol Archive Records have given him the platform to finally release AVON CALLING 2, a collection of previously unreleased recordings from the vaults of Bristols’ Heartbeat Becords. Featured bands include EUROPEANS, APARTMENT, SNEAK PREVIEW, JOE PUBLIC, 48 HOURS, ESSENTIAL BOP, THE DIRECTORS, THE X-CERTS and SOCIAL SECURITY.

This new album full of forgotten treasures will sit perfectly along side the original AVON CALLING release and go some way to completing the story of just what was happening in Bristol back in 1979/1980 and how the music sounds as relevant today as it did back then.

TITLE: AVON CALLING 2
LABEL / DISTRIBUTION: Bristol Archive Records / Shellshock
CAT NO: ARC160 CD
FORMAT: CD plus digital download
WEBSITE: www.bristolarchiverecords.com

THE CORTINAS – HOT NEWS!

Saturday, April 24th, 2010
We are thrilled to confirm that Bristol Archive Records will release a limited edition Vinyl album from The Cortinas on June 21st 2010. 400 copies will be availabe from all retail distribution outlets however there will be 100 SPECIAL copies available from www.bristolarchiverecords.com Record Shop ONLY!!!

These will contain a very special black and white pullout featuring exclusive pictures from the band recording Fascist Dictator at Polydor Studios and playing live at Chutes in Bristol 1977 all taken by Stephen Swan.

The pull out will also include 3 amazing stories/ personal insights on the band from Tim Williams,Phil Harrison and Steve Bush.

TO PREORDER YOUR COPY YOU WILL NEED TO VISIT WWW.BRISTOLARCHIVERECORDS.COM RECORD SHOP AFTER THE MAY 1ST UPDATE:

ARTIST = THE CORTINAS
TITLE = “MK 1″
FORMAT = VINYL ALBUM 500 COPIES ONLY ( 100 SPECIAL ONES)
GENRE = 1977 PUNK ROCK
CAT NUMBER = ARC155V
LABEL = BRISTOL ARCHIVE RECORDS
RELEASE DATE = 21st JUNE 2010

THE CORTINAS

‘MK 1’

Released on 21st June 2010

LIMITED EDITION 500 COPIES VINYL ALBUM

14 STUNNING TRACKS 3 OF WHICH NEVER PREVIOUSLY RELEASED IN ANY FORMAT

Bristol’s first punk band, The Cortinas, formed in March 1976 when Jeremy Valentine (vocals), Nick Sheppard (guitar), Mike Fewins (guitar), Dexter Dalwood (bass) and Daniel Swan were still at school.“Jer put the band together, he definitely had a vision of what he wanted; he was very hip – Dexter and Mike went to the same school as him” remembers Nick. “He found me via Mark Stewart, who I went to school with, and I brought Dan in; we had played in a band together before. We used to practise at the back of Jer’s Dad’s shop”.

The Cortinas soon built up a big local following, and a break came when the band supported The Stranglers at the fabled Roxy Club in Covent Garden on 22 January 1977. Nick recalls how it came to be: “Hugh Cornwell was staying at a friend of his’ flat near the university, on holiday, and me and my girlfriend met him in the street. This would have been in the summer of 76. We started talking to him because we recognized him from seeing The Stranglers and hung out for the afternoon. I told him about the band. Later on, in January 77, he sent us a postcard asking us to play at the Roxy, so we rang up and said yes! I remember my mum telling me not to be too disappointed if people didn’t like us…”.Things then moved quickly for the band. Miles Copeland and Mark Perry’s Step Forward label released the classic singles ‘Fascist Dictator’ in June and ‘Defiant Pose’ in December, the band recorded a fine Peel session, and they appeared on the front cover of the April/May issue of Sniffin’ Glue. Heady stuff, but sadly, it was over all too soon.

The following year, after a poorly received album, the band were no more, but in 1977 they were unstoppable – simply one of the best first wave punk bands around.

This album contains all four tracks from those two great singles, plus ten rare early demo tracks, all newly remastered.

Track Listing:

Side One
Track 1 Defiant Pose
Track 2 Further Education
Track 3 Have It With You
Track 4 Ask Mr Waverley
Track 5 Independence
Track 6 Youth Club Dance
Track 7 Television Families

Side Two
Track 1 Justice
Track 2 Fascist Dictator
Track 3 Tribe Of The City
Track 4 I Trust Valarie Singleton
Track 5 Slow Down
Track 6 I Don’t Want To Compromise
Track 7 Television Families (Demo)

KEEP CHECKING: WWW.BRISTOLARCHIVERECORDS.COM

Bristol The Punk Explosion on Organ Radio

Thursday, April 22nd, 2010

ORGAN SHOW playlists

Postby SeanOrgan » Mon Mar 29, 2010 4:27 pm

Organ on Resonance 104.4FM, 9.00PM Sunday 28th March 2010. This week with Sean on DJ duties. On your FM dial all over London and worldwide via www.resonancefm.com.

This week’s playlist..

1: TRANSISTOR SIX – Back Yard Rocketship (Blackbean & Placenta)
2: HILLS HAVE RIFFS – The Countrysude Has Escaped Part 1 (Noisestar)
3: THE HARDY TREE – Seagulls And Chips (RIM)
4: THE BUFF MEDWAYS – Ivor (Transcopic)
5: THE PUNK ROCK ORCHESTRA – California Uber Alles (download)
6: CAPTAIN AHAB – Acting Hard (DeathbombArc)
7: THE POSERS – Good Advice (Bristol Archive)
8: DEATH OF LONDON – Kiri Kiri Kiri (Function)
9: THE WIND-UP BIRDS – There Won’t Always Be An England (Sturdy)
10: CASTROVALVA – That’s What I’m Talking About (Brew)
11: SUPER ADVENTURE CLUB – Hip Hop Hot Pot Pot Noodle (Armellodie)
12: CAPTAIN AHAB – Godlike (DeathbombArc)
13: RUDE MECHANICALS – Scary Fish Finger Woman (RIM)
14: CUTTHROAT CONVENTION – The Void The Vuv (Doubledgescissor)
15: BUFF MEDWAYS – You Piss Me Off (Transcopic)
16: CASTROVALVA – Hooliganz R Us (Brew)
17: THE CONFORMISTS – Tax Deduction (Africantape)
18: THE UNDEAD – It’s Corruption (Bristol Archive)
19: CAPTAIN AHAB – I Don’t Have A Dick (DeathbombArc)
20: ONSLAUGHT – Thermo Nuclear Devastation Of The Planet Earth (Bristol Archive)
21: TRICLOPS – With SARS, I’ll Ride The Wind (Alternative Tentacles) -
22: FUNKI PORCINI – Moog River (Ninja Tune)

Full details, notes, links…..

Early start tonight, technical problems with pre-recorded shows, we arrived to find studio chaos, crashing equipment wearing out and please do remember Resonance FM is run by unpaid volunteers, show presenters and DJ’s who do this because we all love the station, the idea and the whole being involve in something rather special… Imagine a radio station, imagine a something that isn’t run as a commercial enterprise and thus revolves around editorial and artistic diversity, around risk-taking wholesomeness (we’d never get to play these bands and such on commercial or mainstream stations, there just wouldn’t be a voice!). But but but, Resonance FM depends on your kind donations and support to keep on running, we need your support to maintain the overworked equipment, to pay the electricity bills and to fix broken computers, so please go to the website, www.resonancefm.com, and donate, every little bit helps… thank you…
.
Right then, early start and twenty or so extra minutes at the start that confused some of you who though you hadn’t put your clocks forward….

1: TRANSISTOR SIX – Back Yard Rocketship (Blackbean & Placenta) – our adopted theme tune so you know where you are. Transistor Six is Frances Castle, there’s lots of fine art and creativity to explore from Francis so please please do. You can now get the whole tune downloaded for yourselves and find links to her artwork, albums, her new Hardy Tree project and lots more over at www.myspace.com/transistorsix – and this week, due to the unexpected early start you got the full track rather than just the slice of intro that you usually get…

2: HILLS HAVE RIFFS – The Countryside Has Escaped Part 1 (Noisestar) – Track from the forthcoming album The Countryside Has Escaped, Hills Have Riffs is DCW Briggs, front man with heavy post-rockers Cove. The album is a doom-folk coming together laced with reverb-soaked cello, touches of Swans, tastes of Fairport Convention and the whole thing comes out on April 5th. More from www.myspace.com/hillshaveriffs or www.noisestar.co.uk .
And we got home after tonight’s show to find an e.mail from the Club Clang people telling us they have Cove playing alongside Das Bastard and Feal Real here in London at Catch (Old Street) this coming Friday 2nd April – and all for free in terms of door price and such. More from www.myspace.com/clubclang

3: THE HARDY TREE – Seagulls And Chips (RIM) – Now this is a rather fine Hardy Tree cover of a Sexton Ming song that you can fine on a rather fine Sexton Ming tribute album called This Is Ming Beat. All done that delicate Hardy Tree way (see Transistor Six up above). Explore more via www.myspace.com/thehardytree or scroll down to the Rude Mechanical bit for more Ming Beat and Sexton doings and poetic gatherings and…

4: THE BUFF MEDWAYS – Ivor (Transcopic) – And because tonight’s show started early we had to raid the CDs we had brought with us for the hour long show, thus an extra Who style slice from Sir Billy Childish and one of his bands, The Buff Medways. Wanted to play something Childish tonight to flag up his show at the ICA (The Mall, central London) that’s on right now. Spread over several of the gallery rooms, you’ll find is paintings, his poetry and some of his musical history, well worth your time… A whole pulling together of several bodies of work, more than worthy of your time – www.billychildish.com or www.ica.org.uk for news of the exhibition that’s on now and runs until May. Well worth picking up a copy of the ICA publication Roland, current issue is full of Childishness, pick it up at the ICA or explore the ICA website…

5: THE PUNK ROCK ORCHESTRA – California Uber Alles (download) – Not sure if the PRO are still about, just happened to have this old download with me tonight and we had a extra slice of time to fill up with the finest of earfood to hand…
“Hailing from San Francisco, CA the Punk Rock Orchestra is a 50+ piece strong orchestra that plays punk rock tunes you know and love that are specially arranged for symphonic instruments and operatic voice. The orchestra is run under the auspices of the Institute For Unpopular Culture, a San Francisco not-for-profit organisation. Punk Rock Orchestra’s set list is a journey through the great punk bands: Dead Kennedys, Black Flag, Sex Pistols, Circle Jerks, Fear, Suicidal Tendencies and so on. All the members areclassically trained, many of them by recognised masters of their respective instruments. From mosh pits to orchestra pits, you won’t hear anything like this anywhere else…. .” . Go hit those search engines….

And then we got to 9pm and our proper start time, this week the Captain Ahab show….

6: CAPTAIN AHAB – Acting Hard (Deathbomb Arc) – “How good was that opening track tonight?!” That’s what we said last time and we just had to do it all over again this week, maybe the show should open every time with this track? Here’s the cut’n paste from the last playlist: “Sometimes you hear a piece of music and yes! Lots of exciting cutting edge music waiting to challenge if you know where to look. Captain Ahab are from Los Angeles, Brian from Foot Village and Deathbomb Arc brought them to our attention, he talked of a “strange mix of Viking chants, harsh noise, Hyphy and Steve Reichian timing” and yeah, but he was only telling half of it. We got a new favourite band here (and judging by the response we’re not alone!). This is why we do this Organ thing! Bands like this, bands who sound like no one else and who sound so damn good while they go about their business of sounding unique. This track of the forthcoming (6th April) album called The End Of Irony, but but you can have this track right now as a free download via http://captainahab.bandcamp.com. You can chase up Captain A via www.myspace.com/captainahab and you can find out about the constantly good DeathbombArc via www.deathbombarc.com

7: THE POSERS – Good Advice (Bristol Archive) – Slice of classic English punk, just over two minutes of on no messing late 70’s punk from Bristol. There’s a new album from Bristol Archive Records, goes by the name of Bristol The Punk Rock Explosion – twenty tracks that chronicle punk rock in the city of Bristol from The Cortinas and the initial explosion of ’77 to the point where it all headed off in a million hardcore, thrashcore anarcho directions somewhere around ’83 with bands like Onslaught. This rather fine compilation is released in June, couldn’t resist diving straight in tonight though. Sounds dated now but still sounds so fresh and alive. The Posers track is a previously unreleased slice of treasure from 1978. Lots of unreleased previously unheard slices of treasure on here amongst the tracks – The Pigs, Vice Squad, The Media, The X-Certs, Disorder, Lunatic Fringe and more – www.bristolarchiverecords.com

8: DEATH OF LONDON – Kiri Kiri Kiri (Function) – Never mind no unfriendly flag or badge of whatever, it is all about the music isn’t? Yes it damn well is and Death of London certainly are that. They’re from Leicester, they got a new five track CD on the way called The Independent State Of Death Of London. More of their fiercely alternative post-hardcore flavoured challenge and alternative guitar attitude that comes with a defiant twist of difference. The wreckord is out on April 5th and you can go to www.myspace.com/deathoflondon for more, or maybe www.functionrecords.com will give you more answers to any questions you may have….

9: THE WIND-UP BIRDS – There Won’t Always Be An England (Sturdy) – Debut single from a new Leeds band and some clever words about tattoos with three lions on and what is England now and what does it matter and all in time for the world cup and pubs full patriots. The Birds operate in a vaguely Wedding Present kind of way, I guess that’s the northern angle covered as we search for words here, hey I only heard it for the first time an hour before the show.. These are vacuous times and scathing satirical bite is what we need to transcend the mundane flow of the match via the barstool and a pint of chemical froth and notions of meathead Engerland and think Our Friends In The North, think the bite of Mark E.Smith, think Morrissey and all the contradiction that thinking that throws up. Uncertain times? Enemy within? Ben Sherman shirts? www.myspace.com/thewindupbirds or www.sturdy-records.co.uk

10: CASTROVALVA – That’s What I’m Talking About (Brew) – the debut album is nearly here, out on April 12th, UK tour starts in London on the 14th April at the Gaff, Holloway Road, London, see track 16 for more details, links and prepare to fight for your marbles and your greenhouse plants…

11: SUPER ADVENTURE CLUB – Hip Hop Hot Pot Pot Noodle (Armellodie) – – Back in February we played their single, that week’s Organ magazine single of the week, we said this of it – they’re from Glasgow, they’re alive with energy and oh here’s the single review again…
“An attention-demanding tuneful three piece get me out of this rat-race trio from Scotland. Twisting and tuning and there they go with a bit of Cardiacing in that big instrumental bit that comes in the middle of an almost twee attack of being hung up on things they need to give up and fighting like marsupials and eat your beans, brush your teeth, feed the cat, avoid zombies. We’re under attack like a dog named Sparky and lock the door, feed the cat, cancel plans, avoid zombies. They get all jazzy, ninja-jazz they say, and she has one of those sweet no-it-wasn’t-me-I-would-never-do-that type of voices, a voice that compliments his reason so much, two fine voices bit like those Bobby McGees actually. Ghoulish tune-wielding so they say and bad luck comes in threes, but not here, good luck comes your way here and stranger things have happened than this and attempting deconstructive thinking and this is a brilliant debut single and the more you dance around in it the more you tend to notice it. They don’t really sound like anyone, but they do sound like lots of things we like and there’s lots of sticks to pick up and every time I play it it makes me smile a little more, eat you teeth, wash your hands, avoid zombies, what a brilliant debut single, especially the second of two very fine clever songs and read the news, put on your shoes, prepare for a riot” This week the debut album, Avoid Zombies, landed here and guess what? The excellent single is not the best track on there! Super adventures indeed. The album is out on April 12th, these are indeed super musical adventures – www.myspace.com/superadventuremusic

12: CAPTAIN AHAB – Godlike (DeathbombArc) – see track Six and remember where you were when you first heard the Captain, I was at a graden party, all edgy eggs and it really is a word of mouth thing…

13: RUDE MECHANICALS – Scary Fish Finger Woman (RIM) – Now then several birds fed with one stone shaped piece of bread here. Rude Mechanicals covering Sexton Ming, another track you’ll find on rather fine Sexton Ming tribute album called This Is Ming Beat that we were telling you about earlier when we played The Hardy Tree track. Rude Mechanicals are the band controlled by Miss Roberts and Miss Roberts and Her Putrid People (who I guess are a different band to the Rude Mechanicals) are doing some kind of “scary spoken word and soundscape” thing at an evening of Sexton Ming related events, poetry, music, art, and a chapbook launch. The whole thing happens on the 18th April over at venue called Pangea Project that you’ll fine over in Stoke Newington, London N16. Poetry from Sexton Ming, Colin Shaddick, Bill Lewis and a “Poet Of Domination” called Lilith Payne – www.sextonming.co.uk is where you find out more about the night and this compilation tribute album and the chapbook and stuckists and a whole bag of things… Lilith Payne is an occasional contributor to Organ, she brings her poetry from over the sea, all the way from Boston…

14: CUTTHROAT CONVENTION – The Void The Vuv (Doubledgescissor) – Another package from the London band (with more spray paint stencil-scissors on the front) and a band who do things a little differently. They really don’t sound like anyone else and you never quite know what their next release will sound like. Experimental otherness and a new single that features this track on the b-side, real other rock goodstuff and you can sound a little different if you really want to challenge yourselves, why do so many bands jsut sound like their rather obvious record collections? – www.myspace.com/cutthroatconvention

15: BUFF MEDWAYS – You Piss Me Off (Transcopic) – You see, this one was the Buff Medways track we intending to play tonight, but extra time and rare chickens from Kent fly in twos and we had extra time so go see track four and sit on Ivor the engine driver’s lap. Just wanted to play some Billy Childish and recommended you visit the ICA. And this was especially played for ordinary Dave from Eton, he really does do as the song said… Long live the free state of mind that is the art of Billy Childish.

16: CASTROVALVA – Hooliganz R Us (Brew) – Now. like we said last time, we were expecting good from the new album, we were expecting different, we expected the unexpected, didn’t expect this good though (how could we?). The debut album from the Leeds band (who’s early moves have featured quite a bit on this here radio show) is out in the UK on April 12th. They’ve pushed their boundaries once more! They’ve taken their instrumental post rock/hardcore base and built on it until it has become a glorious vocalised beast beyond recognition. Think NWA for Oxes fans, think Notorious B.I.G meets Made In Mexico, think Prince for Lightning Bolt followers and you’re getting somewhere near something like their current sound (alright, nowhere near but it gives you a vague starting point while they stomp on your greenhouse and run off with your best marbles). www.brewrecords.net or www.myspace.com/castrovalvamusic

17: THE CONFORMISTS – Tax Deduction (Africantape) – They’re from St Louis, MO and they’re liars, they don’t conform! This is from their forthcoming re-issued Steve Albini produced album that originally came out (on what we suspect is the now defunct 54 Degrees 40 or Fight label) back in 2005, out again on April 6th and not heard by us before, new fresh and real experimental envelope pushing other rock indeed – www.myspace.com/theconformists or www.africantape.com

18: THE UNDEAD – It’s Corruption (Bristol Archive) – See track seven for more details. Another Bristol punk band and a track that originally came out on Riot City in 1982 as the whole scene moved towards anarcho confrontation and system questioning bluster, more details up there with track seven – www.bristolarchiverecords.com

19: CAPTAIN AHAB – I Don’t Have A Dick (DeathbombArc) – see track Seven…. this is one of the albums of the year and…

20: ONSLAUGHT – Thermo Nuclear Devastation Of The Planet Earth (Bristol Archive) – And another track from that Bristol punk compilation (see track seven for full details). Final track on the compilation and Bristol punk moving on to embryonic thrash metal with the first very raw moves from an early demo tape from 1983. First moves to the soon to be cult metal band, they didn’t stick with this hardcore anarcho crust-punk sound for long, catch up with what they’re doing these days via www.myspace.com/onslaughtuk

21: TRICLOPS – With SARS, I’ll Ride The Wind (Alternative Tentacles) – – Triclops have just this last week dropped their second massive slab of a rock album – Helpers On The Other Side – the beast is every bit as big as the first. Epic collision of prog and punk from a band featuring members of (the legendary) Victim’s Family as well as people from Fleshies, Bottles And Skulls, Lower 48. “An acid punk version of avant-garde classical composition with cinematic textures…” so says the AT bat. We’re talking punkified prog, heavy psych, we’re talking Butthole Surfers, Melvins, Cardiacs, Zappa, No Means No, Sun Ra and a whole bag of secret x factor in the twisted beauty of it all. The legacy of Victim’s Family indeed (ask your big sister, they were an oasis of experimental punk/prog in the desert that was the 80’s/90/s, those of us who saw them in London still talk of it) – www.triclopsband.com or www.alternativetentacles.com

22: FUNKI PORCINI – Moog River (Ninja Tune) – yes that was an interpretation on Moon River to end tonight’s rather frantic show. James Braddell A.K.A Funki Porcini has a new album called On, out on May 3rd and yes that was Moon River on a Moog – www.ninjatune.net or www.myspace.com/funkipoercini

And we shall do it all next Sunday, next week with Marina at the decks with her OTHER ROCK SHOW and the further exploration of rock musicbeyond mere 4/4 convention, provided the studio equipment survives another week. If you like what we do here please go to the Resonance FM website and donate, every little helps – all you bands and labels who get so much support here, we’re calling a little of it back in now please… www.resonancefm.com

Lots more of all this kind of thing over on the Organ magazine website at www.organart.com

SeanOrgan
http://forum.resonancefm.com/viewtopic.php?f=1&t=3800&start=75

The Fans on Tour in Japan 2010

Thursday, April 22nd, 2010

Please check out this website for images of the Fans tour of Japan April 2010.

http://donkeysong.exblog.jp/