Disc

Claytown troupe



 

Claytown TroupeARC144

Child of Light

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Claytown Troupe - Patience EP

 

Featured Track

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A Good Day to Die


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TRACKS:

  1. Patience
  2. A Good Day to Die
  3. Smile 4
  4. Take It On Up
  5. Part Of Me Now

 

review

 

PDF Downloads

Review Venue Patience Demo 1987

Review Venue Sept 1987

Review Venue Nov 1989

Feature Venue 1990

Review Out There 1992

Feature Deadline Mag 'Through The Veil'

Feature Kerrang 1992

Feature Rar Power 1992

Review NME 1988

Feature Metal Forces 1992

Review Metal Hammer for 'Through The Veil'

Feature Metal Hammer 1989

Feature Raw 1989

Feature Raw 1992

Feature Rock Power 1992

 

Thanks to John Murray and Christain for permission to use the pics and press cuttings

 
Album Notes:

Patience
I wrote this about how frustrating it was trying to get the band up the ladder

A Good Day To Die
Always had an interest in the Native American culture since I was a boy. We used samplers on this, even live which was rare for a small band.

Smile 4
This was about seeing all my friends having to leave for London to get work

Take It On Up
Drugs played a large & negative role in the local music scene & caused many later casulties, I saw it coming & wrote about it.

Part Of Me Now
usual young man in a relationship angst

 

Line up:

Christian Riou - Vocals
Rick Williams - Keyboards
Keith Simson - Guitar
Diane - Bass
Andrew Holt - Drums

 

Recorded:

Foxhole Studios - Henleaze
Self produced & engineered by studio owner Martin Hillier In 1987

 

 

CLAYTOWN TROUPE - Back in the late 80's this lot were the only real alternative to The Cult. More anthemic and more authentic than Astbury & Co's rawk; Moving a few hundred thousand units internationally over their short period in the limelight, they even broke the UK top 40 before disappearing.

Formed in Bristol in 1984 by lead singer Christian Riou (who claimed in a 2004 interview that a famous local clairvoyant advised him to form a band called the Clayton Troop!)

Claytown Troupe was an Alt-Rock act touted as a cross between The Cult's fake rock and the authentic crusty rock of Pop Will Eat Itself and Crazyhead.

In truth there was more to them than that and they suffered much in coming from England at a time of 'Crusty'; a time when high expectations in Rock, and Rock itself, were generally frowned upon.

By 1986 they had an accomplished yet chaotic live show which earned them an exciting reputation on the underground scene.

They signed to Island Records in 1988 without management, Christian & Rick then assigned Steve Abbott, (known as Abbo, who had been the singer in seminal punk act UK Decay) who was introduced to them by The Bolshoi manager Pete McCarthy.

 

 


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