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	<title>Bristol Archive Records &#187; roots lovers reggae dub</title>
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		<title>Joshua Moses Album Review</title>
		<link>https://bristolarchiverecords.com/blog/joshua-moses-album-review/</link>
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		<pubDate>Wed, 22 Feb 2012 20:01:24 +0000</pubDate>
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		<description><![CDATA[Joshua Moses Joshua to Jashwha: 30 Years in the Wilderness Bristol Archive ARC250CD 2012 **** (pick)   The Bristol Archive label continues its project of documenting the long-neglected Bristol reggae scene with this odds-and-ends assortment of recordings by Joshua Moses. Moses began recording in 1978, and soon became a local favorite. However, when Bristol Archives [&#8230;]]]></description>
				<content:encoded><![CDATA[<p class="MsoPlainText" style="margin: 0cm 0cm 0pt;"><span style="font-family: Consolas; font-size: small;">Joshua Moses</span></p>
<p class="MsoPlainText" style="margin: 0cm 0cm 0pt;"><span style="font-family: Consolas; font-size: small;">Joshua to Jashwha: 30 Years in the Wilderness Bristol Archive ARC250CD</span></p>
<p class="MsoPlainText" style="margin: 0cm 0cm 0pt;"><span style="font-family: Consolas; font-size: small;">2012</span></p>
<p class="MsoPlainText" style="margin: 0cm 0cm 0pt;"><span style="font-family: Consolas; font-size: small;">**** (pick)</span></p>
<p class="MsoPlainText" style="margin: 0cm 0cm 0pt;"><span style="font-family: Consolas; font-size: small;"> </span></p>
<p class="MsoPlainText" style="margin: 0cm 0cm 0pt;"><span style="font-family: Consolas; font-size: small;">The Bristol Archive label continues its project of documenting the long-neglected Bristol reggae scene with this odds-and-ends assortment of recordings by Joshua Moses. Moses began recording in 1978, and soon became a local favorite. However, when Bristol Archives contacted him to begin the project of compiling a retrospective album, they found that he had kept no copies of any of his many recordings. Joshua to Jashwa: 30 Years in the Wilderness is therefore the product of extensive detective work, and includes the only two Moses tracks ever to have been commercially</span></p>
<p class="MsoPlainText" style="margin: 0cm 0cm 0pt;"><span style="font-family: Consolas; font-size: small;">released: &#8220;Africa Is Our Land&#8221; and its dub version. Where the rest of this material came from is a mystery, but reggae lovers everywhere owe a huge debt to those who dug it up‹this is top-quality roots reggae. Moses&#8217; voice is smooth and strong, sometimes strongly reminiscent of Johnny Clarke&#8217;s, and his songs are simple and straightforward but powerfully engaging.</span></p>
<p class="MsoPlainText" style="margin: 0cm 0cm 0pt;"><span style="font-family: Consolas; font-size: small;">Those who have been following the Bristol Archive&#8217;s aggressive release schedule over the past few years will recognize &#8220;Rise Up&#8221; from the excellent Bristol Reggae Explosion, Vol. 2 compilation, but there is even better material here: excellent live versions of &#8220;House of Dread&#8221; and &#8220;Protection&#8221;; the weirdly chugging &#8220;Steel&#8221;; his adaptation of Aswad&#8217;s &#8220;Promised Land&#8221; rhythm into the original song &#8220;Jah Time Has Come&#8221;; the ska-inflected &#8220;Bobby Wrong.&#8221; At the peak of his powers Moses was both deeply rooted in the traditional reggae verities and a truly unique vocalist and songwriter‹a combination both counterintuitive and wonderful.</span></p>
<p class="MsoPlainText" style="margin: 0cm 0cm 0pt;"><span style="font-family: Consolas; font-size: small;">Despite one or two minor clunkers (check out the bizarrely unbalanced sound on &#8220;Nothing to Lose&#8221; and the messy pseudo-delta-blues of<span style="mso-spacerun: yes;">  </span>&#8220;Distant</span></p>
<p class="MsoPlainText" style="margin: 0cm 0cm 0pt;"><span style="font-family: Consolas; font-size: small;">Guns&#8221;) this album should be considered an essential purchase by all serious reggae lovers.</span></p>
<p class="MsoPlainText" style="margin: 0cm 0cm 0pt;"><span style="font-family: Consolas; font-size: small;"> </span></p>
<p class="MsoPlainText" style="margin: 0cm 0cm 0pt;"><span style="font-family: Consolas; font-size: small;">Taken from All-Media Guide from the USA</span></p>
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		<title>Success in the polls</title>
		<link>https://bristolarchiverecords.com/blog/success-in-the-polls/</link>
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		<pubDate>Tue, 06 Dec 2011 07:44:46 +0000</pubDate>
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		<description><![CDATA[Mojo Magazine include &#8216;Bristol The Reggae Explosion 1978-1983&#8242; in their top ten Reggae Reissue albums on 2011. We have also scheduled Vol 3 The 80&#8242;s Part 2 for a March 19th 2012 release, press release below:   THE BRISTOL REGGAE EXPLOSION 3 – THE 80’s PART 2 VARIOUS ARTISTS 15 Track CD, 8 Track LP [&#8230;]]]></description>
				<content:encoded><![CDATA[<p>Mojo Magazine include &#8216;Bristol The Reggae Explosion 1978-1983&#8242; in their top ten Reggae Reissue albums on 2011.</p>
<p>We have also scheduled Vol 3 The 80&#8242;s Part 2 for a March 19th 2012 release, press release below:</p>
<p> </p>
<p class="MsoNormal" style="text-align: center; margin: 0cm 0cm 0pt;" align="center"><span style="font-family: &quot;Arial&quot;,&quot;sans-serif&quot;; font-size: 14pt; mso-bidi-font-family: Mangal;">THE BRISTOL REGGAE EXPLOSION 3 – THE 80’s PART 2</span></p>
<p class="MsoNormal" style="text-align: center; margin: 0cm 0cm 0pt;" align="center"><span style="font-family: &quot;Arial&quot;,&quot;sans-serif&quot;; font-size: 14pt; mso-bidi-font-family: Mangal;">VARIOUS ARTISTS</span></p>
<p class="MsoNormal" style="text-align: center; margin: 0cm 0cm 0pt;" align="center"><span style="font-family: &quot;Arial&quot;,&quot;sans-serif&quot;; font-size: 14pt; mso-bidi-font-family: Mangal;">15 Track CD, 8 Track LP AND Digital Download</span></p>
<p class="MsoNormal" style="text-align: center; margin: 0cm 0cm 0pt;" align="center"><span style="font-family: &quot;Arial&quot;,&quot;sans-serif&quot;; font-size: 14pt; mso-bidi-font-family: Mangal;">Released 19<sup>th</sup> March 2012</span></p>
<p class="MsoNormal" style="margin: 0cm 0cm 0pt;"><span style="font-family: &quot;Arial&quot;,&quot;sans-serif&quot;; font-size: 14pt; mso-bidi-font-family: Mangal;"> </span></p>
<p class="MsoNormal" style="margin: 0cm 0cm 0pt;"><span style="font-family: &quot;Arial&quot;,&quot;sans-serif&quot;; font-size: 14pt; mso-bidi-font-family: Mangal;">The Bristol Reggae Explosion is back with a third volume. Whilst still happily exploring<span style="mso-spacerun: yes;">  </span>what was happening in the city during the 1980s, we&#8217;ve bent the rules and included a lone track from 1979. If anything, this third volume is our strongest so far, an amazing achievement when you consider that 11 of the 15 tracks are previously unreleased.</span></p>
<p class="MsoNormal" style="margin: 0cm 0cm 0pt;"><span style="font-family: &quot;Arial&quot;,&quot;sans-serif&quot;; font-size: 14pt; mso-bidi-font-family: Mangal;"><span style="mso-spacerun: yes;">      </span>By popular demand, “Bristol Reggae Explosion Volume 3 – The 1980s Part II” has a strong leaning towards the roots side of reggae. The album opens with Revelation Rockers “Jah Praises”, recorded in 1979 and taken from the album of the same name that sees its first release on Bristol Archive Records in March 2012 exclusively on vinyl, so it&#8217;s inclusion on Volume 3 will be it&#8217;s only CD issue. Revelation Rockers soon changed their name to Talisman and as such they feature twice more with the unreleased (Cave mix) of “Takin&#8217; The Strain” and “Lick &amp; Run” taken from their debut album “Takin&#8217; The Strain”, re-released on CD as a deluxe edition in March 2012.</span></p>
<p class="MsoNormal" style="margin: 0cm 0cm 0pt;"><span style="font-family: &quot;Arial&quot;,&quot;sans-serif&quot;; font-size: 14pt; mso-bidi-font-family: Mangal;"><span style="mso-spacerun: yes;">      </span>We included Bunny Marrett&#8217;s only vinyl outing on Volume 2. He returns for Volume 3 with an incredibly soulful and atmospheric performance of “I&#8217;m Free.” An alternative version will be included on Bunny&#8217;s first album which Bristol Archive Records plan to release later in 2012,something we are really excited about.</span></p>
<p class="MsoNormal" style="margin: 0cm 0cm 0pt;"><span style="font-family: &quot;Arial&quot;,&quot;sans-serif&quot;; font-size: 14pt; mso-bidi-font-family: Mangal;"><span style="mso-spacerun: yes;">      </span>Another act from whom we intend to release a long overdue album is Joshua Moses. ‘Stick It Up’ is a live recording that gives you some idea just how good his shows were and is a taster from the album ‘Joshua to Jashwha- 30 Years In The Wilderness’.<span style="mso-spacerun: yes;">  </span>Maintaining the roots vibe are Zion Band, most of whom would go on to form Restriction but not before putting out a six track EP and we’ve included “Babylon Fire/Babylon Dub” from that scarce vinyl release.</span></p>
<p class="MsoNormal" style="margin: 0cm 0cm 0pt;"><span style="font-family: &quot;Arial&quot;,&quot;sans-serif&quot;; font-size: 14pt; mso-bidi-font-family: Mangal;"><span style="mso-spacerun: yes;">     </span>Two more previously featured acts from Volume 2 are Alfred McIntosh, whose dubs were so well received last time, and Cool Runnings, with unreleased alternative versions of two songs taken from their forthcoming self-titled album on Bristol Archive Records.</span></p>
<p class="MsoNormal" style="margin: 0cm 0cm 0pt;"><span style="font-family: &quot;Arial&quot;,&quot;sans-serif&quot;; font-size: 14pt; mso-bidi-font-family: Mangal;"><span style="mso-spacerun: yes;">      </span>Although very well known locally, Popsy Curious gets his introduction to the worldwide reggae community with his “Chant Down Bobby Rome”. He makes a second<span style="mso-spacerun: yes;">  </span>contribution showing his lovers rock side, as one of the vocalists on Vibes&#8217; “My Love”. The remaining artists Ron Green, Zapp Stereo, The Radicals and Dan Ratchet will be familiar to those who have our previous volumes. It is worth noting that Dan Ratchet is backed by members of Aswad for his take on the classic mid-eighties U.K. reggae sound. Bristol Archive Records are currently working on releasing Dan&#8217;s first album from which “Sweet Rosie” is taken as well as an album from the multi-talented Ron Green.</span></p>
<p class="MsoNormal" style="margin: 0cm 0cm 0pt;"><span style="font-family: &quot;Arial&quot;,&quot;sans-serif&quot;; font-size: 14pt; mso-bidi-font-family: Mangal;"><span style="mso-spacerun: yes;">     </span>All in all, these 15 tracks provide a great overview of the diversity of ideas and styles that were bubbling away in 1980s Bristol. We have had a great response to our first two volumes and hopefully volume three will receive an equally positive welcome.<span style="mso-spacerun: yes;">                                                                                                                                                                                                     </span></span></p>
<p class="MsoNormal" style="margin: 0cm 0cm 0pt;"><span style="font-family: &quot;Arial&quot;,&quot;sans-serif&quot;; font-size: 14pt; mso-bidi-font-family: Mangal;"> </span></p>
<p> </p>
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		<title>The Bristol Reggae Explosion 1978-1985 Review</title>
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		<pubDate>Sun, 27 Feb 2011 10:45:01 +0000</pubDate>
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		<description><![CDATA[Bristol’s fantastic reggae legacy Black Roots are one of my all time favourite UK reggae bands. Their sound is in the same great tradition as Aswad, Misty in Roots and Steel Pulse – heavy as lead bass lines, groove and clear melodies. And Black Roots were apparently part of the Bristol reggae scene, a music scene [&#8230;]]]></description>
				<content:encoded><![CDATA[<h1 class="entry-title">Bristol’s fantastic reggae legacy</h1>
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<p><a href="http://reggaemani.files.wordpress.com/2011/02/2011_-_the_bristol_reggae_explosion_1978-1983.jpg"><img class="alignleft size-thumbnail wp-image-2055" title="The Bristol Reggae Explosion 1978-1983" src="http://reggaemani.files.wordpress.com/2011/02/2011_-_the_bristol_reggae_explosion_1978-1983.jpg?w=150&amp;h=150" alt="The Bristol Reggae Explosion 1978-1983" width="150" height="150" /></a>Black Roots are one of my all time favourite UK reggae bands. Their sound is in the same great tradition as <a href="http://www.aswadband.com/" target="_blank"><span style="color: #4c4c4c;">Aswad</span></a>, <a href="http://www.mistyinroots.ws/" target="_blank"><span style="color: #4c4c4c;">Misty in Roots</span></a> and <a href="http://www.steelpulse.com/" target="_blank"><span style="color: #4c4c4c;">Steel Pulse</span></a> – heavy as lead bass lines, groove and clear melodies. And Black Roots were apparently part of the Bristol reggae scene, a music scene that is now put on wax by <a href="http://www.bristolarchiverecords.com/" target="_blank"><span style="color: #333333;">Bristol Archive Records</span></a>.</p>
<p><em>The Bristol Reggae Explosion 1978-1983</em> is according to the label the first and only attempt to document the local reggae scene from the late 70’s and early 80’s.</p>
<p>According to Bristol Archive Records none of the tunes – except for the Black Roots tunes – have ever been reissued and this is their debut in digital format.</p>
<p>It was certainly a long overdue deed. This is a historical document that includes great music and very informative liner notes about the Bristol reggae scene and the bands and artists that appear on the compilation.</p>
<p>Roots reggae dominates the 14 tracks by eight bands and artists and there are several highlights here.</p>
<p><em>Four Point Plan</em>, by a band called Restriction that only released one four track twelve inch in 1983 mixed and engineered by <a href="http://www.myspace.com/madprofessordub" target="_blank"><span style="color: #4c4c4c;">Mad Professor</span></a> at his Ariwa Studio in London, is a deejay lead masterpiece with some nice dub echoing going on.</p>
<p>Black Roots and Talisman are represented by three tracks each; two of Talisman’s are live recordings. All six are classic UK roots with solid brass arrangements.</p>
<p>Sharon Bengamin’s <em>Mr Guy</em> is lovers rock in the Janet Kay tradition and keeps things sweet and smooth.</p>
<p>Today <a href="http://www.myspace.com/djstryda" target="_blank"><span style="color: #4c4c4c;">DJ Stryda</span></a> of <a href="http://www.dubkasm.com/Home.html" target="_blank"><span style="color: #4c4c4c;">Dubkasm</span></a> keeps the Bristol reggae flag flying high, and this compilation shows that he has a firm foundation to rely on.</p>
<p>Taken from: <a href="http://reggaemani.wordpress.com/2011/02/26/bristols-fantastic-reggae-legacy/">http://reggaemani.wordpress.com/2011/02/26/bristols-fantastic-reggae-legacy/</a></p>
<p>Buy Now from The Record Shop at <a href="http://www.bristolarchiverecords.com">www.bristolarchiverecords.com</a></p>
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		<title>Bristol The Reggae Explosion</title>
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		<pubDate>Fri, 12 Nov 2010 13:49:36 +0000</pubDate>
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		<description><![CDATA[West Country Reggae With a significant 50′s Windrush era West Indian community, the St Paul’s riot in 1980 and it’s earlier history as a port central to the 18th Century transatlantic slave trade, Bristol has been something of a microcosm of the trials and tribulations of the black community in the UK. As such it’s [&#8230;]]]></description>
				<content:encoded><![CDATA[<div class="post-headline">
<h2><a title="Permanent Link to West Country Reggae" rel="bookmark" href="http://www.dancecrasher.co.uk/blog/2010/10/26/west-country-reggae/">West Country Reggae</a></h2>
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<div class="post-bodycopy clearfix">
<p><img class="alignright" src="http://www.dancecrasher.co.uk/10-10/bristolreggaeexplosion.jpg" alt="Bristol Reggae Explosion" />With a significant 50′s Windrush era West Indian community, the St Paul’s riot in 1980 and it’s earlier history as a port central to the 18th Century transatlantic slave trade, Bristol has been something of a microcosm of the trials and tribulations of the black community in the UK. As such it’s hardly surprising that in the 70′s and beyond the city should have had a thriving reggae scene.</p>
<p class="audioplayer_container"><object id="audioplayer_4" style="outline-style: none; outline-color: invert; outline-width: medium;" classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" width="290" height="24" name="audioplayer_4"><param name="_cx" value="7672" /><param name="_cy" value="635" /><param name="FlashVars" /><param name="Movie" value="http://www.dancecrasher.co.uk/blog/wp-content/plugins/audio-player/assets/player.swf?ver=2.0.4.1" /><param name="Src" value="http://www.dancecrasher.co.uk/blog/wp-content/plugins/audio-player/assets/player.swf?ver=2.0.4.1" /><param name="WMode" value="Transparent" /><param name="Play" value="0" /><param name="Loop" value="-1" /><param name="Quality" value="High" /><param name="SAlign" value="L" /><param name="Menu" value="0" /><param name="Base" /><param name="AllowScriptAccess" /><param name="Scale" value="NoScale" /><param name="DeviceFont" value="0" /><param name="EmbedMovie" value="0" /><param name="BGColor" value="FFFFFF" /><param name="SWRemote" /><param name="MovieData" /><param name="SeamlessTabbing" value="1" /><param name="Profile" value="0" /><param name="ProfileAddress" /><param name="ProfilePort" value="0" /><param name="AllowNetworking" value="all" /><param name="AllowFullScreen" value="false" /></object></p>
<p><em>Joshua Moses – Africa Is Our Land</em></p>
<p>The Bristol Reggae Explosion 1978-83 from <a onclick="javascript:_gaq.push(['_trackEvent','outbound-article','bristolarchiverecords.com']);" href="http://bristolarchiverecords.com/index.html"><span style="color: #02aab1;">Bristol Archive Records</span></a>, available for download now and on CD and LP in February of next year celebrates the bands and artists that in the face of some adversity produced some great and memorable reggae music. The biggest bands of the period, Talisman and Black Roots are well represented with three tracks each and the great Africa Is Our Land by Joshua Moses, is present and correct (which will save you £60-£100 on the cost of the original 12″ on ebay). Rescued from obscurity are a couple of solid 80′s roots tunes from Restiction and some lovers tracks by The Radicals, Sandra Bengamin and Buggs Durant.</p>
<p class="audioplayer_container"><object id="audioplayer_5" style="outline-style: none; outline-color: invert; outline-width: medium;" classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" width="290" height="24" name="audioplayer_5"><param name="_cx" value="7672" /><param name="_cy" value="635" /><param name="FlashVars" /><param name="Movie" value="http://www.dancecrasher.co.uk/blog/wp-content/plugins/audio-player/assets/player.swf?ver=2.0.4.1" /><param name="Src" value="http://www.dancecrasher.co.uk/blog/wp-content/plugins/audio-player/assets/player.swf?ver=2.0.4.1" /><param name="WMode" value="Transparent" /><param name="Play" value="0" /><param name="Loop" value="-1" /><param name="Quality" value="High" /><param name="SAlign" value="L" /><param name="Menu" value="0" /><param name="Base" /><param name="AllowScriptAccess" /><param name="Scale" value="NoScale" /><param name="DeviceFont" value="0" /><param name="EmbedMovie" value="0" /><param name="BGColor" value="FFFFFF" /><param name="SWRemote" /><param name="MovieData" /><param name="SeamlessTabbing" value="1" /><param name="Profile" value="0" /><param name="ProfileAddress" /><param name="ProfilePort" value="0" /><param name="AllowNetworking" value="all" /><param name="AllowFullScreen" value="false" /></object></p>
<p><em>Restriction – Four Point Plan</em></p>
<p>On the face of this release it’s hard to understand why a couple of the bands/artists represented didn’t go further, sign to bigger labels and release LP’s alongside the greats of UK reggae like Aswad and Steel Pulse. But even in the reggae world circa 1980 Bristol was Bristol and London was London, all to often the only recognition came on locally produced and self released limited run 7″ and 12″ singles. To Bristol Archive Recordings, though the style of music may differ from their usual punkier projects, the ethos of the DIY project by overlooked local musicians is their bread and butter, they’ve got a fine release on their hands here and hopefully this time round more of the music will reach a wider audience it always deserved.</p>
<p>Preorder now:</p>
<p><a href="http://www.play.com/Music/CD/-/21/44/-/17197588/The-Bristol-Reggae-Explosion-1978-1983/Product.html">http://www.play.com/Music/CD/-/21/44/-/17197588/The-Bristol-Reggae-Explosion-1978-1983/Product.html</a></p>
<p><a href="http://hmv.com/hmvweb/displayProductDetails.do?sku=12937">http://hmv.com/hmvweb/displayProductDetails.do?sku=12937</a></p>
<p><a href="http://bristolarchiverecords.bandcamp.com/album/the-bristol-reggae-explosion-1978-1983">http://bristolarchiverecords.bandcamp.com/album/the-bristol-reggae-explosion-1978-1983</a></p>
<p> </p>
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