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	<title>Bristol Archive Records &#187; Post Punk Bristol 1977</title>
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		<title>The Pop Group Reform</title>
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		<pubDate>Fri, 28 May 2010 07:00:09 +0000</pubDate>
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		<category><![CDATA[Post Punk Bristol 1977]]></category>

		<guid isPermaLink="false">http://bristolarchiverecords.com/blog/?p=159</guid>
		<description><![CDATA[Artrockers&#8230; I must admit to being a little over-excited by the prospect of a Pop Group reunification. Yes, it&#8217;s happening, and there will be gigs, a couple at The Garage in September just to kick things off. But where do The Pop Group sit in the pantheon of artrock? Well, pretty high I reckon. They [&#8230;]]]></description>
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<p><strong><em><span style="font-family: Arial; color: #ff0000;">Artrockers&#8230;<br />
</span></em></strong><span style="font-size: x-small;">I must admit to being a little over-excited by the prospect of a Pop Group reunification. Yes, it&#8217;s happening, and there will be gigs, a couple at The Garage in September just to kick things off. But where do The Pop Group sit in the pantheon of artrock? Well, pretty high I reckon. They were a funny bunch though weren&#8217;t they?<br />
When I think back there were, it seemed to me, three main protagonists; Mark Stewart (vocals), Gareth Sager (guitar) and drummer Bruce Smith. Mark Stewart seemed to me to be the &#8216;political&#8217; one, I remember stories of him bursting into tears whenever he thought of the woeful state of the world, carrying the cares of the globe on his back. He was never a singer of course, more of a ranter, and he was even more of a ranter than Mark E Smith. So Mark was the &#8216;serious&#8217; one. Gareth was the performer. Seemingly oblivious to the &#8216;heavy&#8217; subject matter, Gareth put on a show, fully realising his frontman potential when he swapped bass for sax with Rip Rig and Panic. And then there was drummer Bruce. What a drummer! Every so often a tub-thumper comes along and blows your mind. That&#8217;s exactly what Bruce did to me. One of my fondest memories is of Bruce playing stand-in drummer for The Slits at The Communist Party festie at the Ally Pally&#8230; 1980? He was incredible!<br />
Do you have Pop Group memories? If so, please send them to me.<br />
Having said all that I have to admit that The Pop Group only made an &#8216;honourable mention&#8217; in our 100 Greatest Ever Artrock Tracks with &#8216;She&#8217;s Beyond Good and Evil&#8217;. I can only apologise, but at the same time, in our defence, at least we remembered them. Go look The Pop Group up on Google, there&#8217;s hardly anything there &#8211; even the Wiki entry is poor. However, The Pop Group do pop-up on our Spotify 100 playlist, it&#8217;s still one hell of a listen, blending the new with the classic &#8211; and it&#8217;s the number 1 playlist on </span><a href="http://mail.sonicnetwork.net/crm/adclick.aspx?l=43210&amp;q=30696015"><span style="font-size: x-small;">ListenSpotify</span></a><span style="font-size: x-small;">, which is nice. So have a listen, have a look at the list on </span><a href="http://mail.sonicnetwork.net/crm/adclick.aspx?l=43211&amp;q=30696015"><span style="font-size: x-small;">Artrocker.tv</span></a><span style="font-size: x-small;"> and, at the very least, settle your mind as to what actually constitutes Artrock..</p>
<p></span><span style="font-family: Arial, Helvetica, sans-serif;"><span style="font-size: x-small;"><em><strong>Tom Artrocker</strong></em><br />
</span></span><a href="http://mail.sonicnetwork.net/crm/adclick.aspx?l=43212&amp;q=30696015"><span style="font-size: x-small;">tom@artrockermagazine.com</span></a></p>
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